Tag: elementary

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Inquiry into Scale & Perspective

Being more spatially-challenged in general, I always had trouble as a child comprehending concepts like mirror images, rotations, and geometry nets.

Fortunately, as a grew older, I learned that these are all just facets of broader concepts of scale and perspective. I’ve also benefited by recognizing their applications beyond mathematics–from art to city planning to interpersonal relationships.

So this week consists of a provocation to help our young learners begin with the big picture of scale and perspective, hopefully encouraging them to draw their own connections and conclusions.

The first is a fascinating video that lays out the entire history of the earth on a football field.

The second is a photo series by artist Matthew Albanese. He creates stunningly realistic landscapes using forced perspective, using materials from nutmeg to steel wool to fake fog. Head over to his site to view the collection of images, along with the incredible behind-the-scenes images and information on his process. 

Provocation Questions:

  • How do people use scale and perspective to help us see “the big picture?”
  • How does technology allow us new possibilities to show scale and perspective?
  • How do scale and perspective change the way we see the world?
  • What is our responsibility to use perspective in our lives?
  • How are scale and perspective connected?
  • How does perspective help us understand other people?
  • How does scale help us understand the world?

featured image: DeathToTheStockPhoto

 

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That Time I Failed At Inquiry: 5 Missing Elements

Years ago, toward the end of the school year, I felt like our class was in a rut. I wasn’t sure what we were missing–Autonomy? Inspiration? Creativity? All of the above?

Whatever it was, I decided to do something drastic. I had recently come across a story online of a teacher who encouraged her students to create videos, and it seemed like a great idea to me.

So the next day, I checked out the laptop carts and dived head-long. I told them they had to work in small groups. I told them they could create any commercial they wanted. I might have had slightly more structure than I can recall, but if there was, it wasn’t much. And I stepped back, awaiting the student-centered magic to come to life.

It was bedlam.

Shocked and dismayed at the chaos and the discord and the aimlessness, I cancelled the whole thing the next day.

Today, a small part of me still wants to leave this experience forever buried in the corner of my memory labeled, “I-can’t-believe-you-actually-tried-that.”

But the rest of me knows that our failures are rich with learning opportunities. It reminds me of a teacher’s remarks during a PD session on inquiry this fall in which she expressed a wish to hear more about inquiry attempts that have crashed and burned. So, having come a long way since then (I hope!), I think I’m ready to finally retrieve that memory from its dark recesses and shed light and learning on it instead.

Here are 5 major elements that I now realize I was missing:

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Top 10 Read Alouds for Upper Elementary from 2016

2016 has been an excellent reading year for me. I’ve renewed my use of Goodreads, enjoyed sequels in favorite series, and discovered a new genre I deeply enjoy (more on that later). My old lists of read alouds for upper elementary grades featured a lot of favorites I had read long ago (first list, second list), but not a lot of recent reads.

So to keep my recommendations fresh, and to help me keep up my momentum of reading more books, I want to start making a habit of sharing my favorites reads at the end of each year, starting today (note, these are not necessarily books published this year, but rather ones that I read this year). Hopefully this list will be timely for teachers looking for a quality winter-break stack (and for my own children and students down the road)!

#10: Confessions of an Imaginary Friend: A Memoir by Jacques Papier, by Michelle Cuevas

This book had me tickled by the fact that, without the title, readers wouldn’t even realize the narrator was not, in fact, a living breathing member of the family for the first several chapters. Rather, he seems more like just a kid with a lot of problems with getting ignored. This is a genre that I’ve designated as “other-worldly whimsical,” a personally-defined subset of modern fantasy of which I find myself constantly wanting more. A hilarious yet profound read about belonging and self-understanding.

#9: The Boy Who Swam with Piranhas, by David Almond

This book originally caught my eye because of Oliver Jeffers. I was delighted to discover that David Almond’s style very much parallel’s Jeffers’. Follow Stanley Potts as he discovers his destiny far from his fish-canning home. You and your students will enjoy themes of courage, confidence, wonder, rules, and conformity. Also one I’d classify “other-worldly whimsical.”

#8: The Magician’s Elephant, by Kate DiCamillo

The Magician’s Elephant felt like a lovely poem or perhaps a dream. “We must ask ourselves these questions as often as we dare. How will the world change if we do not question it?” Peter Augustus Duchene changes his world by asking the question, “Does my sister live?” Readers then follow him through an enchanting and mysterious tale of truth and love.

#7: The War that Saved My Life, by Kimberly Brubaker Bradley

Like the Pevensies of Narvia, Ada and her little brother are sent to the country away from war-torn London during WWII. There, they, too, discover a new world with their caretaker–one full of love, acceptance, and hope. This historical fiction will move and inspire your class.

#6: The Wild Robot, by Peter Brown

This outdoor adventure-loving girl fell in love with this book the moment I read the words, “If you stand still in nature long enough, something will fall on you.” It’s just so–real. Peter Brown helps us ponder what might actually happen if an advanced A.I. robot found herself on an uninhabited island. How might she adapt to her surroundings? Would she be able to learn the language of animals? And would she–a man-made creation–be able to find her place in the natural world?

#5: The Inquisitor’s Tale, Or Three Magical Children & Their Holy Dog, by Adam Gidwitz

From the fascinating approach to narration, to the way we are invited to truly access life in medieval times, this is a fresh and truly unique story. I especially loved the idea of “illumination” as opposed to illustration, keeping in line with a common medieval practice. Learn of three children whose powers have the entire kingdom–from the king of France down–in awe, fear, and/or admiration.

#4: The Seventh Wish, by Kate Messner 

See my review here.

#3: Pax, by Sara Pennypacker

This is a tale of bonds that even miles and a war-torn country cannot break. Follow a story that shifts in perspective between Pax the fox and his boy, Peter.

#2: Lockwood & Company, The Screaming Staircase, by Jonathan Stroud

If you are looking for a series that will have your students begging for more, this is it (I actually read book 4 in the series this year, The Creeping Shadow, and am dying to find out when book 5 comes out!). Lucy and her companions, Lockwood and George, are teenage agents working to rid London of the Problem (a development in which ghosts return, wreaking panic and death among the living). Only children can see the Visitors, but Lockwood’s is the only company that consists only of children. It is a bit creepy, so you might want to run it by your students before choosing it as a read aloud–but if they aren’t too nervous, it will have them on the edge of their seats!

#1: Three Times Lucky, by Sheila Turnage

I just finished reading the third and final book in this series (The Odds of Getting Even), and I loved every moment of it! Mo is probably the wittiest and sassiest 6th grader you’ll meet, and her best friend Dale is an equally loveable character. Follow the duo as they establish the Desperados Detective Agency and solve a murder. Packed with hilarious figurative language, mystery, and small town charm, Three Times Lucky is simply a must-read!

featured image: DeathToTheStockPhoto

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An Inquiry Into Inquiry Planning…

Earlier this week, I had the opportunity to run a few PD sessions at my old school, one of which was a session on inquiry planning–specifically, starting with our students first, rather than the content/curriculum. My first step in preparation, of course, was to consult my PLN:

Here were the responses:

And then, after some additional direct message chatting/advice, Edna Sackson posed one of her trademark call-to-action challenges:

ednas-advice

It made complete sense, so I immediately accepted. But I would be lying if I said I wasn’t nervous!

But I knew that to really be there for my colleagues and their concerns about planning this way, modeling was really the way to go.

So we started with the following provocation:

I jotted down a few questions beforehand, including:

  • What are our limitations from an education stance?
  • What if we don’t embrace the “Shake” or what if our students do not?
  • How can being creative within our confines transform ourselves, our students, and our world?
  • What accepted norms do we challenge when we plan around our students instead of content?
  • How is inquiry be seen as “seizing the limitation” instead of “seizing the day?”

Then, knowing the concerns that often surround this topic, I chose to conduct the Compass Points protocol to bring those to the surface (another pointer from Edna)!
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What excited our group about planning from an inquiry stance:

  • Students come up with and create learning
  • Allowing the students to teach their peers as well as me as the teacher
  • Kids are excited and chattering about the concept
  • Student centered
  • New fresh ideas from little minds
  • Freedom for creativity & flexible thinking
  • Kids just come alive and are excited to share their learning in meaningful ways
  • Continue learning trial and error
  • It allows students to be more invested in what they’re learning. Memorable & relevant.

Their worries:

  • Classroom management
  • Getting in content and making it all work together
  • Time limited
  • Kids don’t participate or stay on task. Lose control.
  • Chaos–students putting forth no effort to learn.
  • Students won’t come up with ideas or be silent about the concept.
  • Not meeting expectations. Some failed lessons as wasted time?
  • Lots of planning and unsure where to lead lesson.
  • Having 825 kids for only 30 minutes once a week (specials teachers).
  • Students miss out on valuable time to be active (from the PE teacher)

Their “Need to Knows:”

  • Methods I can take and use right away
  • How to make it all day long and put in the content in a way that can be easily accessed.
  • How to set up behavior expectations without squelching thinking.
  • What counts as an inquiry lesson or activity?
  • The process of guiding and directing the students better.
  • What will excite and engage students.
  • My students–their personalities, limitations/struggles, where they need to go next.
  • Be more familiar with process and what it looks like in my situation

Their Stances (how we might move forward in our opinions):

  • Being flexible and allowing things to get maybe more out of hand than usual
  • Continue learning trial and error
  • Being balanced
  • Ask myself the questions
  • Bring inquiry into more subjects
  • It’s a great idea but often conflicts with how I need to run my classroom

Next, we sorted each of the categories. We focused on the worries for this, and decided we were most concerned about not meeting expectations (ie “covering” curriculum), classroom management, time management, and the logistics of planning this way.

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We were at the “where do we go next” juncture, and together, we decided to look at examples of individuals who are addressing these concerns in their teaching:

  • A couple of first grade teachers examined this literacy example of Jessica Lifshitz allowing her students’ questions to drive the planning.
  • The art teacher read Taryn Bondclegg’s A Class Misunderstood because she was especially interested in what it looks like when issues arise in an inquiry approach, and how we deal with them.
  • Some first grade teachers also looked at Taryn Bondclegg’s summary of her first month of all-in inquiry.
  • A couple of second grade teachers looked at math examples from this grade 2 class and Simon Gregg’s class.
  • Several others browsed Kath Murdoch’s downloads, particularly her “What do Inquiry Teachers Do?”

Unfortunately, we ran out of time to have a proper wrap-up (it was only an hour session and they were in the thralls of exploring the above resources), but I heard some wonderful conversations happening, ranging from how teachers really use their students’ questions, to realizations that giving up teacher control does not mean allowing chaos to rule in the classroom.

And I learned/reaffirmed…

…a solid provocation and relevant visible thinking routine are powerful tools to elicit serious thinking.

…deciding “where do we go from here?” with our students is an act of trust in them and in ourselves as professionals.

…collaboration and curation are essential skills for inquiry teachers. We can lean on one another both for our initial planning (a huge thank you to my PLN!) and subsequent decisions on where to go with our learners.

I think the next step for this group involves a closer look at the daily process of student-responsive planning. What do you think?

featured image: shehan peruma

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In Which Twitter Shows My 6 Year-Old Her Voice Counts #TeacherMom

Two weeks ago, I posted a list of “not-boring learning books.” When I shared it on Twitter, I tagged several of the authors in case they got the chance to see their books made a 6 year-old’s cut.

I’m sure most probably just didn’t see it. A few hit “favorite” and a couple retweeted. But Bethany Barton, author of, “I’m Trying to Love Spiders,” responded:

I read it to my daughter. She squealed and responded:

And then one more reply from Bethany:

This was pure gold. Not only did it completely make my daughter’s day, but it reinforced to me the value of Twitter (and other social platforms) for our children and students everywhere. The way it creates possibilities for real, meaningful connection. The way it brings to life faraway names and places. The way it globally amplifies a voice, and then brings audiences back down to a personal scale.

It also reminds me of all the other wonderful examples of this that I’ve seen recently, many of which I shared on Monday with the staff at my old school as I ran a few PD sessions:

My daughter and these other young children can’t yet navigate these platforms independently. But they are already starting to catch a glimpse of the digital world and their place and power in it. And I rejoice for such positive and meaningful introductions. I wonder what would happen if students everywhere had similar experiences…

featured image: Case Wade

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Evolution of the Narrative in Picture Books (& Ideas For Your Next Library Visit)

I just finished putting a slew of new picture books on hold at our local public library.

Some were new releases by more contemporary beloved authors, like a new Jon Klassen (Another hat book! “We Found a Hat”), Andrea Beaty (“Ada Twist, Scientist”), and Oliver Jeffers (“A Child of Books”).

Others were by newly discovered authors like Amy Young (“A Unicorn Named Sparkle”) and Dan Yaccarino (“I Am a Story”).

And one was Doreen Cronin’s “Click, Clack, Moo,” which I should really just go ahead and buy already, because my 2 year-old is obsessed with cows.

As my mind sifts through all these authors’ styles, I’m struck by the huge amount of creative narrative voice out there these days. And even more by how dramatically the narrative seems to have evolved over the course of my lifetime.

Classics I enjoyed in my youth, such as Tomie Paola’s “Strega Nona,” Rafe Martin’s “The Rough-Face Girl,” James Marshall’s “Miss Nelson is Missing,” and Ellen Jackson’s “Cinder Edna” (publications ranging from the 70’s to the 90’s), almost always used a more traditional third-person narrative and voice.

A larger flux of first-person reads comes to mind when I think of the 2000’s, like Melinda Long’s “How I Became A Pirate” and Jane O’Connor’s “Fancy Nancy.”

And today it seems like most of the books I check out have incredibly unique narrative techniques and voice–so much so that it’s hard to neatly classify them. There’s Adam Rubin’s playful way of alternating speaking directly to the reader (“Hey, kid! Did you know dragons love tacos?”) and to other characters (“Hey, dragon, how do you feel about spicy taco toppings?”). Jon Scieszka and Mac Barnett’s “Battle Bunny” with its dual narration. And of course, B.J. Novak’s “The Book With No Pictures” is truly in a narrative league of its own.

The upside of this shift is obviously our literary enjoyment.

But a potential downside/caution can arise when teachers get stuck in a rut on what a story should look like. Especially if they haven’t familiarized themselves with these modern classics that don’t always comply with the rules. Especially if they push the upside-down V story map so hard that students’ creative voices are quelled when their stories lack a setting (like Mo Willems’ Pigeon books) or when their pictures–not their words–illustrate the problem (like Mac Barnett’s “Sam & Dave Dig a Hole”).

In the end, I think the most important take-away is that it’s easier for us as teachers and parents to embrace the creativity if we stay current on it ourselves. If we stay stuck in the nostalgia of how things looked in our childhood, we may miss incredible opportunities to re-imagine and push the status quo.

new-picture-books

featured image: Kurt

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“Mistakes Are For Learning” #TeacherMom

On Monday, my first grader came home from school and announced, “Mistakes are for learning.” Throughout the rest of the day, she repeated the mantra in various contexts–including sharing it with a restaurant manager helping us out when we found wax paper in a burger.

Pleased though I am that she seems to finally be grasping this essential element of the growth mindset, I can’t help but marvel at how long it took for this concept to sink in.  After all, having studied Carol Dweck’s growth mindset, I’ve made it a point over the years to try to help her celebrate failures and recognize opportunities for growth.

But it wasn’t until a first grade teacher shared it in such simple terms as “Mistakes are for learning” that things clicked. And I couldn’t be more grateful for the timing. First grade is packed with pivotal moments for learning, failing, and growing. With a fresh school year, she’s still dazzled by every aspect: practicing spelling lists, listening to audiobooks, participating in a computer math program that advances users as they demonstrate mastery.

But I know that it won’t be long before the novelty will wear off. The tasks will become more challenging. The routine will become less enchanting. Mistakes will always be for learning, but that will not make them frustration-proof.

The key will be to help her maintain her understanding of the positive outcomes even amid the discomfort. To recall previous moments of victory as a result of repeated effort and failure. (Like when she recently wrote a book title, and when she asked me to read it, and I read aloud phonetically, “The Kumfee Kav,” she dashed off saying, “OH! I forgot ‘cave’s’ silent ‘e’ to make the ‘a’ say its own name! I can fix that!”). To remember that though progress may be slow, as Khan Academy’s video below emphasizes, “[She] can learn anything.” Most of all, to celebrate the journey along the way.

So to all the teachers currently in the classroom, thank you. Thank you for stepping in, shedding light, and reaching our kids in ways we parents can’t always do.

featured image: DeathToTheStockPhoto

Come back next Wednesday for another “#TeacherMom” post. Read here for the rest of my weekly blogging topic schedule/background.